#i finally got photoshop back

[tankens]

@fungii

happy borthday

[alchemyfreak321]

[byanyan]

it's a wholeass month after pride has already ended but i finally changed my icon

[cringelordofchaos]

absolutely despise (pos) it when a south park episode ends on a melancholy note. like youre just supposed to accept the world is sometimes horrible and not everything gets resolved.

[valsilverhand]

Cutie alert!

[aira-besque]

.

[bcdluckstumblcd]

//heads up, if you come here looking for a twice/toga ship, I'm blocking you ✨

[pietadean]

im convinced free programs advertising as alternatives to photoshop are actually operated by adobe to make broke fans go absolutely crazy so we snap and subscribe to the evil 700€/year adobe thing

[einaudis]

.

[felinoir]

tag drop 4.

[huellitaa]

im losing my fucking shit im going to SCREAM

HUENINGKAI :: 240822 BLUE CARPET @ K-WORLD DREAM AWARD

[colleendoran]

Great Big Good Omens Graphic Novel Update

AKA A Visit From Bildad the Shuhite.

The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.

Gaze upon the horror of Bildad the Shuhite.

You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.

Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.

 Go me!  

This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.

Not complainin', just sayin'.

Anyway, I started out the gate like a herd of turtles, because  right away I got COVID which knocked me on my butt. 

And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.

Not complainin' just sayin'.

This set a few of the assignments on my plate back, which pushed starting Good Omens back. 

But hey, big fat lead time! No worries!

Then my computer crawled toward the grave.

My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.

There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.

At the time, I was still on rural internet...which means dial-up speed.

Whatever you have for internet in the city, roll that clock back to about 2001.

That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.

Welcome to my gigabyte hell.

The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.

All of this was super expensive in terms of money and time cost.

But I was not daunted! Nosirree!

I still had a huge lead time! I can do anything! I have an iron will!

And boy, howdy, I was going to need it.

At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.

I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.

Even the accountant got $250,000 a month to shut down the business, while creators got nothing.

That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.

Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.

I know everyone says that, but I mean it. I had a bad feeling.

Then there was news.

I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news. 

It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.

Then I got the official bad news.

Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.

Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work. 

I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.

"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.

So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.

Then I got back to work, and hoped for the best.

Eff this guy.

Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.

I didn't even know there was such a thing. 

There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.

I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful  eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.

What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.

Hi Ho.

Ulcer is on the right. That big green blob.

I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work. 

Just cut it out and get me back to work.

And now I wondered if I was going to lose my ability to work anyway.

Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.

The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way. 

Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.

I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry. 

To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.

I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.

I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.

I have never been more grateful in my life.

Neuralgia sucks, by the way, I'm still dealing with it months later.

Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.

Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.

Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.

But again...lots of lead time still left, go me.

Then I finally got my surgery.

Which was not as happy an experience as I had been hoping for.

My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."

Which was super not fun news.

Eff this guy.

The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.

The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.

By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.

I'd already turned most of my social media over to an assistant, and I'm glad I did.

But the next surgery was what really kicked me on my keister.

All in all, they took out an area the size of a baseball. It was  hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.

After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.

Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.

Naturally, I wasn't getting anything done during this time.

But at least my main hospital is super swank.

The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.

So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.

Nearly tore off my damn nostril.

Eff this guy.

Anyway, it was a bad year.

Here's what went right.

I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings,  enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.

Thanks to everyone who ever bought one of my books.

No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.

So, yay.

My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.

I got to ring the bell.

I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.

I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.

After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.

Within two weeks, I returned to normal work hours.

I got rural broadband, jumping me from dial up speed to 1 GB per second.

It's a miracle.

Massive doses of Vitamin D3 and K2. Yay.

The new computer works great.

The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.

I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.

I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.

More time for real life.

While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.

OK. Rough year. 

Not complainin', just sayin'.

Back to work on The Book.

And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks. 

[lavabug]

Weapon of Choice 💚💛❤️

I am vibrating with excitement for the next Life Series... New team-ups, new plots, new betrayals and I literally can't wait!

We took these photos back in March and I finally got the files to have a play with editing! I really enjoy having fun in Photoshop but Emi really carried these with the raw's <3

( mj~ @/starkeystudios / eefo~ @/icklecosplay / Pearl~ @/astral_locke & grian/photography~ @/tealeath )

[whore-ibly-hot]

'Photo Shoot'

Yan!Photography Student x GN!reader x Yan!Art instructor (Joseph and Mr. Burton)

18+ Minors DNI

Warnings: All characters are legal age, multiple yanderes, dub-con touching, perverted thoughts, voyeurism, student/teacher dynamics, nude photography, no real mention of specific genitals

AN: I'm so eepy right now... Also, if you like this fic, use the tags on my masterlist to find all the other Yan!Boarding School writings.

The smoke coming from the corner of the room ceases when Mr. Burton snuffs a cigarette butt out on an... ashtray? From where you're sat, you can see him putting it out on what looks more like a student pottery bowl. That strikes you as odd, but he can be very critical of others art so you can't be suprised. Cracking his knuckles and leaning back a little, he turns to you and the extremely quiet classmate beside you, Joseph.

"Alright, lets get this show on the road, yeah? Joseph, you're our camera man, I'll have you leading this thing, running the camera's and I'll give some creative direction. Student and the master, I can finally teach some actual fucking art." Mr. Burton mumbles, as Joseph quickly begins setting up the camera on a tri-pod. You feel odd about him to say the least, despite you being the 'muse', as Mr. Burrton calls you, Joseph's barely made eye contact with you. You agreed right off the bat when Mr. Burton asked you to help one of his favorite students with some anatomy shoots, you like Mr. Burton, he's funny, honest, and that's refreshing, given you worry some people at this academy have ulterior motives. Still, you had some concerns as you fiddle with the thin top you wore at Mr. Burton's request. "Mr. Burton?" you ask, and he looks up from where he's mumbling about something with Joseph. He motions for the young man to keep working as he strolls over.

"I'm nervous." You admit, hand rubbing at your elbow as an attempt to self-soothe. "I don't usually get, nude, on camera, and i-it's not that I don't trust you, sir, but-" He puts his hand up to cut you off, gently rubbing your shoulder. "Woah, woah. I get it, I get it." He assures you, tone comforting. "You're my student, and you've got great, great potential. I've been on the art scene, kid, I see the burnout path some people go down, I see the ways people exploit and get exploited. I'm not gonna let anything happen to you. If you get uncomfortable, I'll pull you out. And trust me, being in the nude for art starts to feel perfectly normal after a while, okay?" He pauses, then sighs. "Okay, it's comfortable except for being cold as hell." He laughs.

You chuckle in return, but there's still a bit of worry. He can tell, and leans in. "What is it that worries you, exactly? If it's insecurity, trust me, the real artists are those marketing execs who can photoshop a skinny model and make change up the whole idea of beau-"

"It's not that sir, I promise. I'm just worried about other people seeing, you know? I'm worried about it getting spread around, or people getting bad ideas about me." You admit, face a little pale. Mr. Burton's brows furrow, and he slaps his hand down on his jeans. "Joseph, come here!" He yells.

Joseph jumps, hands shaking as he almost knocks over his tripod. "But- uh, the cameras-" He squeaks out, and Mr. Burton shakes his head. "You're one of the best photographers I've ever met, Joseph, I know damn well that cameras been set up for well over ten minutes already. Come here, don't be shy, don't be weird. You're freaking out the subject." At the idea him staying away is freaking you out just as much as him coming up to you, Joseph walks over. "H-hi." he greets, holding out his hand. You shake it, and it is particularly sweaty.

"Joseph is a great photographer, my best student and possibly one of the best I've ever seen. I assure you, he's a good kid. He's dedicated to his craft, this isn't a complex scheme for him to fence some nudes of you to the highest bidder." The young man's eyes widen exponentially as Mr. Burton makes his assertion, and instinctually puts his hands up in surrender. "No, no! I would never, ever. Do I- do I come off as that kind of creep, if I do I'm sorry."

"No, it's not that at all, I just struggle with, well, some issues like that." Joseph visibly frowns, and Mr. Burtons hand tenses from it's spot on the table.

"You are pretty creepy, Joseph." Mr. Burton admits, making the boy flush as the teacher playfully pushes his head. "This'll be good, good art pushes outside of comfort zones, yeah? Let's get all set up." He claps his hands together as he goes to stand behinf the camera with Joseph. You strip, and sit awkwardly before the camera in front of a messy brick wall with various stains and prints on it from Mr. Burton's studio. Mr. Burtons licks his lips subconsciously as he looks over your meek form, the clears his throat. "Okay, first position, mermaid pose. Lets get those legs to the side."

The shoot continues on for a while, until Mr. Burton suggests a more 'raw' shoot. That's how you find yourself posing, hands over your chest area and thighs ever so slightly parted while Mr. Burton sits behind you, also nude. You worried about it being inappropriate, mostly for his sake. "Couldn't this... I mean, I'm willing to do it if you think it'll be good art, but won't you get in trouble if people find out?" You ask, turning over your shoulder a bit. He scoffs again, and shakes his head. "No self-respecting person with credentials like mine would teach these silver spoon brats art, I'm all they've got." He assures you, going to move an arm around your waist from behind.

"What composition do you want, sir?" Joseph asks, face red as he uses every ounce of will-power to try and suppress an erection at the sight of you and the older man. He'll worry about the new and conflicting feelings later. He's got enough photos to die happy, but the fact you seem so willing fills him with a delusional sense of your interest in him.

"It's your shoot, Joseph. Take over directing." Mr. Burton calls back, and Joseph doesn't seem sure. "I don't know, sir, you have more of a vision than me, and-" Mr. Burton groans, rolling his head back like a kid throwing a tantrum. "Jesus christ, kid. How many times do I have to hammer in that you're a good artist? You can direct your own shoots-" He notices the violently red flush of Josephs cheeks, and chuckles. "Or is this more an issue of being to embarrassed, because I told you-" He waves his free arm around. "We are pushing the envelope, making something raw, pushing ourselves out of comfort zones. To be a great artist, you have to not be afraid to tell your NUDE SUBJECT, to spread their legs and bare it all." Joseph is completely silent, stun-locked by his gruff teachers comments. He begins examining the shot in the view-finder after taking a few shaky breathes.

"Alright, Sir... of course." He swallows, and his shaky hands adjust the lens. "I want to-to try and delineate from what other people think nude shoots are, away from like... porn and stuff. Raw, but intimate, I think." Mr. Burton nods for him to continue, and seeing the interest in your eyes at his creative direction, Joseph gets a little more confident. "If you're okay with it-" He addresses you now. "I'd like Mr. Burton to be able to touch you, nothing too invasive, just a kiss on the neck or the shoulder, maybe letting him hold your thigh?" Joseph keeps his tone soft and asking, sure to imply you can say no.

"That's alright, I trust him." You mumble, looking at the gruff art instructor and seeing to your surprise a soft look on his face. "I'm honored, little muse." He teases, and the nickname makes you flush. "Oh, and you too, Joseph, we've not talked much, um, but you seem really dedicated, I'm sure I'm in good hands."

Shit. Well, so much for keeping his dick down, but at least he doesn't think you can see from the way the lighting is set up. He nods, and you shiver, feeling a cold pair of lips and a thin stubble scratch at the surface of your shoulder. "Are they cold?" Mr. Burton chuckles, placing a few more small kisses as you hear the camera shutter snap. "I'm sorry, I can't control the thermostat in here, all this money and they can't afford to make sure I don't freeze my dick off doing my job." He's always so grumpy, even when he's trying to be sweet. You close your eyes and try to relax into the feeling. It escalates occasionally, hands on your thighs as he kneads gently at your flesh, occasionally making a complaint about something or picking at Joseph, who keeps making an odd series of grunts, but you assume he's just breathing heavy from being so focused.

It culminates in you being positioned over him, as if playing the playful or dominate role in some sort of erotic moment. Mr. Burtons hands rest on your ass, his firm yet not fully erect cock a little too close to your hole. You're chest to chest with him, and while he's relishing in the feeling, Joseph makes a hand motion, and he knows its time to pull away, at least for this ession. He's smart, knows not to rush it, and he knows this is more than enough material for the vouyeristic camerman.

"I think we got some good shots, i-it's getting late. I'll go grab something from the vending machine while you too warm up." Joseph scarmbles away, camera bag held oddly across his crotch area. Mr. Burton smiles as you slide off from him, flushed as the weight of your previous position hits you. "You were great, a real professional." He urges, scooting forward to sit beside you.

"Thank you, sir. I was trying not to get too flushed or anything, I hope I didn't sweat too much." You admit, and he shakes his head to assure you. "Nah, you did fine, but if I could make a suggestion?" You look up. "No real intimate scene like that doesn't have a couple kissing. On your neck and shoulders was fine, but lets face it, people do more than neck each other when they're getting it on like that." He glances at the door, making sure Joseph is still doing whatever it is he's doing out there. He didn't discuss this part with the young artist, but let's face it, learning to be one step ahead, to protect your work and your muse, is something he's gonna have to learn anyways. "Will you let me show you?" he asks, voice low as he leans closer to your face.

You glance at the camera. "It's not running, though shouldn't we wait for joseph to take the photo?" You ask, a little more unsure about the artistic integrity of the action. He shakes his head as he lets his stubble scratch your cheek. "This'll be practice, yeah? For next time..."

"Next time?"

"Next time." He mumbles, lips feverishly sealing against your as he hunces over your form, cold bodies pressing together and leaving goosebumps which trail down your form as the session closes out.

[pharmasrightarm]

Hello hello!! I just wanna start off by saying how GORGEOUS your art is! Truly inspiring. I was wondering what your process was? Again, your art is truly impressive

Thank you!! Oh man, it was a saga and you've opened a can of worms because my favorite thing to ramble about outside of sad gay space robots is our unholy overlord Photoshop (warning for length)

Hatching workflow: step 1: have too many Doré artbooks The refined process is thumbnail > cleaner sketch > black-and-white base OR 3D render > cut out whites > clean up edges > mask out each building/section > hatching lines with the upcoming layer setup

One:

And another:

Below is the layer setup I use for hatching! First I separated each element into its own folder, with its own mask—

Then used this structure in each folder— I just want the hatching lines to appear black when on lit areas, and white on shadowed areas (as opposed to having to draw part of a line in white and another part in black). So, after separating the lit and shadowed sides, I copied the "Light" layer, clipped it on top of a folder of hatching lines, and inverted its layer mask.

(*I draw on layer masks because it's easier to recolor lines + toggle between drawing and erasing with the "X" shortcut (I have fore- and background colors set to black and white for layer masks))

Sometimes I do a pass of grayscale values and overlay that layer on top as a reference while hatching.

I've two main brushes: one choppier and one smoother and tapered at the ends (for thin lines, 2px-3px). Really thin horiz/vert lines are just the Pencil at 1px.

Black-and-white workflow with 3D:

Tbh at first I only intended to make that one lurking Drift illustration. But I cower from 3D like it’ll kill me, so I turned it into a 3D assignment. First I used that "separate ways" piece to make myself model at low stakes (I just made items from the comic backgrounds and jammed them together), then I modeled the Dead End wide shot and got the final lurking Drift comp from that.

1. Drew enough detail to model (>see the 5th image in this post)

2. Used fSpy to generate a Blender camera that matched my perspective

3. Shoved together the barest essentials of the clinic set in Blender (setting the 5th image in this post as a background image in Viewport)

4. Rendered at hi-res twice: once with lighting, once with Freestyle outlines.

5. Changed clinic design in the close-up, so I went back to revise the wide shot.

In conclusion, my hobby is wrangling Photoshop to minutely speed up the extremely tedious and niche thing I can't stop myself from doing If anyone's got a faster way to do any of this, tell me!!

here's a gif for funsies because I get 1 more image on this post

[rcmclachlan]

what is whole foods? 👀

Fix-it in aisle 9! Tommy doesn't know what possesses him to go to this particular Whole Foods, but he hopes the folks watching the security feed are enjoying the show as his and Evan's painful attempts at small talk devolve into the world's slowest tour of the store while they whisper-fight every step of the way.

There's no cogent reason for him to go to the Whole Foods on S Grand, especially on a Thursday. The fact that it's only a 3-minute drive from Evan's loft is bad enough, but the avenue is and has always been a wide-awake nightmare. It's all metered street parking and people drive through the intersection like they're trapped in pinball machine designed by Jigsaw. He once almost got into a fist fight with some asshole in a BMW who came so close to colliding with him head-on that Tommy could read the fucking VIN number on the guy's dashboard. Also, the Vons down the street from his house has much better produce.

There's no cogent reason, and yet, after his shift ends, he climbs into his truck and brings up the address in Maps. The entire route there is green. On the way to S Grand, he doesn't hit a single red light, his Spotify shuffle plays only songs he wants to listen to, and somehow he manages to score the first parking spot closest to the building, which feels like winning the lottery. Normally he'd have better odds of hitting all six Powerball numbers.

His good luck continues as he walks into the store, which is blissfully devoid of human life, and he gets a cart with wheels that don't stick or squeak. He heads into the meat section and a song is playing over the speakers that takes him right back to the uncomplicated days of being 12 years old and hanging out in Jamal Tunstall's basement, kicking ass at Tekken 2 and gorging himself on pizza rolls, which his dad refused to let him have at home.

Sometimes it feels a little like the universe has never been particularly interested in giving him a W, but as Tommy picks up a package containing a reasonably-priced cut of pork belly that looks so perfect it might have been Photoshopped, he thinks that maybe the universe has finally decided to throw him a bone.

The clatter of a nearby cart makes him glance up, then his entire autonomic nervous system goes dark like his brain's blown a fuse.

Of all the ways he imagined seeing Evan again, standing in the meat section of the Whole Foods on S Grand on a Thursday night while DJ Kool shouts "when I say freeze, y'all stop on a dime" in the background never made the list.

wip titles game